It’s time to kick off another year with great music so we decided to do just that with a fresh podcast from a great producer Jakub “Nox” Ambroziak.

When we came in contact with Jakub he just droped his second EP titled “Atom” and after hearing the ep we just had to get him to do a podcast for us. The rest is history, and if you wanna get to know how he sounds like check the links below and be shure to keep an eye on him cause who knows what great music he has in stored for us in 2012.

Happy New Year from PXLTQ Crew.

No Album EP download

MySpace - http://www.myspace.com/seventeenbricks

Atom EP download

Fan page: www.facebook.com/JakubNoxAmbroziak

Soundcloud: http://soundcloud.com/seventeenbricks

“Owsey’s the name, pronounced “Oh-Zee” for nostalgic reasons. I’m a person who’s fond of recalling people and places through sound. Life stories alone ain’t good enough, so from time to time I’ll sprinkle some fiction on there.

I often write music to sit alongside the work of my photographer buddys, Claudia Stanciu and Felicia Simion. A friend once told me of wondrous things that occur when visuals and sound coexist in a way I’d never granted much thought, and the idea has been appealing ever since. Ain’t nothing like placing some fine imagery on a final musical product. There’s not much more that people need or want to know. Peace and love.”

http://soundcloud.com/owsey

After the success of “Love Exposure”, mc / producer Broke returns with “Chasing Her”, his first solo album.

This album is delivered in a jazzy soulful tone, mixed with elegant word play by the California emcee. If you into deep lyricism and jazzy soul escapes we highly recommend to give this one a good listen.

The result is an EP hiphop heads young and old can feel!

http://www.cascaderecords.fr

http://cascaderecords.bandcamp.com

Though he has only been present in the Bass Music scene for a little under two years, 21 year old Seattle based producer/DJ Kid Smpl (formerly spelled “Kid Simple”) has gained the attention of many by producing tunes that pay close attention to both melody and space. With DJ support from Sam Supa, Starkey, XI, Dusk and Blackdown, Lukki, Megalodon, Sublo, Surpass and more, Kid Smpl’s music has moved dance floors worldwide, been played on radio stations Rinse FM, Sub FM, Seattle’s c89.5 and KEXP 90.3, and featured in multiple studio mixes. This recent attention has given him the opportunity to DJ both locally and out of state, sharing the stage with the likes of DZ, Antiserum, UltraBlack, and more. With released and forthcoming material covering diverse labels such as Car Crash Set, Subdepth, Gradient Audio, Shift, Brap Dem!, Double Drop, and Phantom Hertz, Kid Smpl provides a mix that is bound to keep your body moving and your mind intrigued.

For booking, remixes, and other inquires please contact at kidsimpledubs@gmail.com
AIM: kidsimpledubs

kidsmpl.com

soundcloud.com/kidsimpledubs

kidsmpl.bandcamp.com

I go by the name of ‘Graciellita’, which is a diminutive of my actual name, Graciella.
It’s reflects my inner ‘lil girl’, my childhood passion.

I am primarily a singer/songwriter, so I started out as a vocalist in a few bands about 4 years ago, whereafter I decided to do recordings.
Over the years, I came out with self-released albums and eps that consisted mainly of collaborative works.
Though, I had a lot of fun working with several producers (and I am very grateful for that!), I felt I needed my own sound, a sound where I can
truly say that, yes, this is me from A-Z.

I self-taught some of the software to produce electronic/experimental music, so, this year I started to put my focus on producing as well.
I have to say, it is a most rewarding feeling! I really put sounds together as I feel at that moment, my music is not as much technical (no!) as it is emotional.
And since it’s from the core, it all somehow comes out dark/sad/and as I get a lot ‘eerie’. I guess that’s part of me. :)

I realised this year that my creativity combined with my ‘soft vocals’ is quite receptive, thanks to my fans/friends and the hype on SoundCloud (thank you!).
I can now call myself a singer/songwriter/producer, have eps out on on record labels, and many more to come in the
near future. Aside from my personal releases, I’m also working with local producer Sipp (he’s inspiring!) on a future ep.

This is my passion! I breathe this, sleep less, and forget about eating. I am very fortunate to have been given this skill
and share it with the world!

xoxoxo
graciellita

 

http://graciellita.bandcamp.com
souncloud.com/graciellita

Long before the current wave of Russian and Eastern European beats and glitch producers, Bulgarian duo 1000names were in at the foundation of the sound, debuting with the now classic Melonball Bounce alongside Rustie on Beatnick’s Vol 1 in 2007. Based in Sofia, Bulgaria, their geographic isolation and relatively long musical development has helped Margg and Nikko (their real names) develop a truly individualistic sound: quirky, bubbly, and human. They are identifiably part of the global beats scene without ever being generic.

They released their debut album with French label Eklektik Records, before moving over to Black Acre, dropping the first ever long player on that label. In January 2010 Mary Anne Hobbs invited them to contribute a mix for her legendary BBC Radio 1 show, and since then they’ve been featured and recommended in Pitchfork, XLR8R and every publication of note.

Margg started out as a painter, Nikko as a drummer, giving them a basis in both old school musicality and art history. Taking their name from an Anish Kapoor scultpture they are great collectors and appreciators of culture, and this breadth of vision can be heard in their music and their willingness to embrace new forms.

Casio Blaster and 99 Mistakes are what make up the Sofia, Bulgaria based broken beat instrumental hip-hop elektronik group 1000Names. They’ve been around for a minute, making connections through like-minded producers and releasing music through Svetlana Industries,Project Mooncircle, Black Acre, Eklektik to name a few. And here is what Toby Brundin aka Thunderloops of Svetlana Industries has to say about his boys:

1000names might just be one of the best-kept secrets in music. Despite being at the forefront of the beats/wonky scene this side of the Atlantic that’s blown up so big in the last year, they’ve somehow stayed just under the radar.  And it’s not like they’ve been quiet: since their debut on the seminal Beatnicks Vol. 1 alongside Jackhigh and Rustie – perhaps the record which defined the scene in its current incarnation – they’ve put out two EPs, two split singles and an album and been featured on Alex Nut’s Rinse compilation, but somehow it took until now for them to start to get the recognition those who know them have long expected.  The answer probably lies in the fact that they’re coming out Sofia, Bulgaria. Out on the Eastern edge where Europe becomes Asia on the shores of the Black sea, it’s hardly a global music industry hotspot. But maybe it’s this relative isolation that makes them stand out in the current explosion of low bpm music from LA, London, Glasgow and elsewhere.  First up, they’ve had time to get their sound right. Forming in 2005 as the union of a drummer and a painter with a shared love of samples they pooled their resources to get an Akai MPC and, guided by the sounds of Dabrye, Madlib/Quasimoto and J Dilla, pretty soon they knew where they were headed. Strangely, when you see them now it seems surprising they only teamed up four years ago – they look alike, they walk alike, they finish each other’s sentences – in fact, they’re more like a pair of brothers or non-identical twins. Obviously this was one of those partnerships that was just going to happen, eventually, no matter what. Back in those days the European beats scene was tiny. Unknown to the media, ignored by blogs, this was a one-to-one network that owed its whole existence and sense of being to the internet. In this way it may be the first scene that was truly born of the internet age and truly international.  “It was nice, friendly and innocent. Everyone was unsigned” says Nikko a.k.a 99 Mistakes, the painter half of the pair. “We hooked up with Fulgeance on Myspace; the same with Jackhigh. Jackhigh told Joscha from [German label] Up My Alley about us, and Fulgeance connected us with [French label] Eklektik. Joscha heard Melonball Bounce and the next thing we were on Beatnicks Vol. 1 and we had signed an exclusive deal with Eklektik.” Maybe it’s their involvement with mainly European labels that’s kept them out of the glare of the British media, more focused on the Rustie/Hud Mo axis in Glasgow and on the growth of dubstep. However, that’s all set to change, with an upcoming release on Bristol’s Black Acre on 10” green vinyl, followed by an EP on Eklektik and three EPs on the new Svetlana Industries label, also home to Jackhigh.  The original 1000names sound was hip hop based; samples and loops underpinned by possibly the wonkiest beats in the scene. Take classic tracks Melonball Bounce or Beauty Surrounds You –one a mash-up of a vintage Sprite advert, the other of the theme from Born Free. In both cases the tracks start with a conventional loop that’s thrown totally off when a huge beat comes in that seems to be hooked to another groove entirely and yet totally fits. This is known to cause two physiological effects in the listener – one a broad smile of pleasure and surprise, the other a potentially painful whiplash in the neck caused by interrupted headnod.  This was a direction that they refined and distilled over several years to reach culmination on 2009’s Toys Room Combat longplayer on Eklektik, but since last year something else has come into the mix: they’ve come under the influence of the synthesiser. Or, more specifically, the sound of early 80s electrodisco. You can see it in the song titles: Saturn Race, Paradise Rings, Marz on Marz, Roket Loop… They’ve always had a sci-fi element to their sound and to their graphics, but now it seems like it’s out of control. Yep, there’s no doubt – it’s 2010, and, from a concrete Communist tower block somewhere in Sofia, 1000names are taking off.

The guys also released an EP for Svetlana Industries titled Machine City (listen to the teaser here ) on October 31st and an LP titled Invisible Architect coming out early December on Project: Mooncircle.

Following strong and widely praised releases from two other emerging talents, BNJMN and Nightwave, Svetlana is proud to present the debut recording from Hungarian producer Polyklinik.

Budapest native Matyas Lendvai is an elusive character. He doesn’t turn up for photo shoots, he amasses analogue synths and drum machines, he only likes to meet in public places, and he’s one of the most organic music makers you’ll come across.

Svetlana first hooked up with him up back in 2008, while searching the Balkans for fellow dubstep discoverers. Back then he was making quite a unique brand of dubstep, melodic and synthy, and optimistic sounding compared to all the dark stuff that was about at the time. That was to change. Over three years his sound transformed into a gloopy, glitchy, murky something that isn’t much like anything else. His tempos are drawn from hip hop and the beats scene, but the sound is far away from chopped up vocals and jazzy beats born in Californian sunshine. This is intense, soupy stuff, music from a country mired in financial crisis, Prime Ministerial lies and toxic red sludge.

The tunes are largely improvised: standout track Vermona was born of a jam on a 1970s drum machine Matyas stole from his girlfriend’s father, then recorded, distorted and “Africanised”. It’s this kind of approach that means, in a world where music becomes rapidly generic, Polyklinik doesn’t really sound like anyone else. This makes him hard to write about but good to listen to, and that’s the main thing, after all.

This EP tries to represent both sides of Polyklinik, pre and post transformation. The heavyweight gritty mastering comes from Tirk Records artist Architeq assisted by Thunderloops, who laboured hard on a vintage Studer desk. The tangled artwork comes from Hungarian blogger and scene maintainer Hargi Csik. Both contributed hugely to the post-millennial weight.

DEBUT EP BY WOULG OUT NOW ON OUTLIER RECORDINGS!

October 1st, 2011 (Brooklyn, New York) — Calgary based producer Woulg just released his first EP through OUTLIER RECORDINGS, ‘Floating Longingly Towards the Sun‘. The EP is a six track collection of glitch infused future bass music that defies common genre description.

The EP is available digitally, as well as a limited edition run of 20 CD’s with handmade artwork. 

Special thanx to Alex Gohorel. Label Manager of Outlier Recordings .

Nikolay Golutvin aka NVG is a awesome music producer from Moscow, Russia and he released his 5 track album “First Trip” on Pixelord‘s Hyperboloid Records label.

The sound on the album goes from an ambient like intro to a little harder and darker dubstep with a strong russian glitch vibe we usually expect and love very much.

Get the album from the Hyperboloid Records bandcamp page here and be sure to like their facebook page for free tracks.

http://soundcloud.com/nvg

http://hyperboloid.bandcamp.com

http://soundcloud.com/pixelord

http://soundcloud.com/hyperboloid

Vlada Stojanovic is everything – he is a DJ, a producer, a radio host at Space Invader Radio but above all he is a Music Lover! His music taste is so good, he got his mix featured on Laid Back Radio‘s  mixcloud page.  Beside working with people at Laid Back Radio and Space Invader Radio , he is also a part of  Ma Dukes and J Dilla foundation family.

And this is what he has to say about himself:

I never say: I AM DJ, OR PRODUCER, OR MUSICIAN OR … I am just a music lover.

My whole life is about the music. Back in 1992 when my big brother came from school he  played me a cassete and track Del Tha Funky Homosapien – Mistadobalina and I was hooked. I was 11 years old then.  So, from that moment I  began to introduce the music. Firs hip hop, but as I was grovin up genres were fading and music stayed. My grandmother was a jazz and evergreen singer back in 50′s and 60′s, so I probably inherited from her to love jazz music. Proud member of the Global Grooves Collective from 2007.

Incredible record collector … at least so people tell … Great lover of radio stations. As for the collection of music I have to say only one thing: “Just one more record and the end. Finished.” The problem is that I repeat this sentence many years. That’s it. I have a lot of friends (online) and slightly less (offline). And that’s it. People still talk about that I know a lot about music but I say that it is never enough. Follow the news online, my work and enjoy. What more can I say?

http://vladastojanovic.com

http://www.twitter.com/vlada014

http://www.facebook.com/#!/profile.php?id=1178224405

http://www.mixcloud.com/vladastojanovic/

This is the debut EP of Admin (Adam Wickens) and also the very first release he ever planned for Infinite Machine but it end up being the 5th.

Frietboer is a producer/liveset who loves distortion and hip hop. Creating Emohopcore and Hardcore BoomBap, better believe it…

Thijs van den Bosch (30) also producer Frietboer started once on a borowed Atari. These days he uses Fruityloops and Ableton Live. Frietboers intrests are hip hop and distortion, but he keeps on experimenting with these ingrediënts. Mr. Oizo, Eboman, Alec Empire en D.j. Krush had much influence on his style.

“Fiks” is a musical-project where Frietboer (Thijs van den Bosch) worked on for a half year.Fiks means intens and/or heavy in Dutch. Genre of the project: Hardcore boombap and breaks.The method of working is simply starting of with a beat, then the vocalists and then additional musicians. Audio-visual production team: “Dubbele” did shoot a documentary about the project. A few ground-reasons for starting this project were: To expand his network, to learn from the people he chose to work with and ofcourse having fun while fixing it. Frietboer had the chance to work with the next vocalists: Master Surreal, De Gelogeerde Aap, Kensei, Rude-D, Heavy, Unannounced Guest, U.N.O.M, Brad Hamers, Pien Feith, Tens and Omi EKP. Further he worked with the following musicians: Nerd Club Zuid, Shycop, DJ Chainsaw, Stijn de Laat, DJ EZD, husc, DJ Mace, Orcha Dei, Hi-Fi Twin. There was also a visit at the studio of Eboman which was a great experience, but Frietboer found out here, that he has no affinity with programming audio/visuals. So there is no audio/video material from this collab. 

The documentary can be found at http://www.vimeo.com/dubbele (and will be there in English subtitles within a few weeks)

The “Fiks” album drops 31th of august 2011 at http://frietboerism.nl for free.

Frietboer likes to thank everyone who cooperated with this album and documentary.

Youngunz
youngunz.fr

ΛRT DIRECTOR Bonsoir Paris
bonsoirparis.fr

DIRECTOR: Simon Gesrel
LIGHT: Davina Muller
ΛDDITIONΛL ΛNIMATOR: Sylvain Desrone, Rémi Brissaud
ΛSSITANT DIRECTOR: Xavier Ehretsmann
PRODUCER: Manuel Cam

Jennifer Lee aka TOKiMONSTA prefers to work late – or early, depending on how you look at it. Most of her music is made between two and seven in the morning, because at that time of night “my mind works in strange and mysterious ways.” Hence the title of this EP, a series of warm but decidedly woozy pieces of music, the soundtrack to the oddest, most beautiful dreams you’ve ever had.

From the bouncing bass-beds of “Bright Shadows,” the Cocteau’s-meet-LA-Beat of “Darkest Dim” (like “Little Pleasures,” featuring the exquisite vocals of Gavin Turek), on into “Moving Forward” (which sounds like the music R2D2 makes love to), the driving, relentless beat of “Day Job,” this is an EP suffused with both warmth and creativity.

Tracks:

1. Fallen Arches
2. Little Pleasures (feat. Gavin Turek)
3. Bright Shadows
4. Moving Forward
5. Stigmatizing Sex
6. Darkest (Dim) (feat. Gavin Turek)
7. Day Job

   Release Date: May 17, 2011